The Mask of Mirrors is a rich and thickly-embroidered story of intrigue, conspiracy and magic woven throughout a Venetian city where religion and magic are as much a part of the city as the cobblestones themselves.
Into this society divided by class, privilege and heritage, drops Ren. A girl seeking to mend the unmendable ties of a broken family. But that’s not true at all, and it’s only the surface frosting of subterfuge on a layer-cake so deep at times you feel you may have lost sight of what the truth ever was.
We follow Ren and become familiar with her goals, and the game she plays to achieve them. As soon as those objectives have some sort of clarity, the focus is gradually but relentlessly drawn to the multifaceted objectives of every other group in the city, from the crimelords to the cultural extremists, the noble houses to the smugglers to the city guards (called the Vigil), and most interestingly of all, to the characters who straddle several camps, cultures or families, and seek always to retain their precarious balance.
To Sleep is a Sea of Stars is the science fiction debut of Christopher Paolini, formerly better known for his fantasy works, entitled “The Inheritance Cycle”: Eragon, Eldest, Brisingr and Inheritance.
Paolini’s original four works were started when he was fifteen years old, and the reviews from these (I have not read the books) indicate readers were split between those who enjoyed the story, and those who couldn’t quite compensate for so young a writer’s voice.
Paolini has taken a significant, professional and well-researched step into the science fiction arena, and I would be surprised if there were not more from him in this genre in the coming years.
To Sleep in a Sea of Stars came to my attention because I was collating various different lists of the “best science fiction of 2020” for my holiday reading, and Paolini’s new work came up in more than one of these. The book won the ‘Best Science Fiction’ Goodreads Choice 2020 Awards, voted on by readers, and has gathered generally positive reviews.
After the fumbling, fraught and frustrating exercise of launching my own book, I really wanted to immerse myself in someone else’s work.
To find something to read, I did what I often do and turned to the Guardian Newspaper’s ‘Best Recent Science Fiction’ column. Flicking through the various months, I came upon Stormblood by Jeremy Szal.
I didn’t want anything too cerebral, and I wanted something with a bit of pace. I got what I asked for, but perhaps misjudged slightly what I actually wanted.